Aeryn Santillan and Andrew Noseworthy started independent record label People Places Records in 2017...
Author
Jason Charney
Meerenai Shim takes on many roles in new music. As a flutist, she has release three solo albums: Som...
Author
Jason Charney
Brooklyn composer Scott Wollschleger describes the piano as his “personal diary,” and hi...
Author
Jason Charney
The monochromatic cover art of Mariel Roberts’ Cartography is cryptic and arresting: a figure strugg...
Author
Jason Charney
In her liner notes to On Behalf of Nature (ECM), Meredith Monk cites poet Gary Snyder’s essay “Write...
Author
Jason Charney
Eighth Blackbird is an ensemble of big projects and high concepts and their album Hand Eye on Cedill...
Author
Jason Charney
Kate Nordstrum is the curator of St. Paul Chamber Orchestra’s Liquid Music Series, which just kicked...
Author
Jason Charney
The SPLICE Institute finished its second year as a unique festival and training ground for musicians...
Author
Jason Charney
Rarely do such distinct musical voices come together to make a perfect hybrid as Ensemble Dal Niente...
Author
Jason Charney
The piano is limited in its conventional mode of playing– pianists can only use their fingers...
Author
Jason Charney
As in much of Morton Feldman’s late music, Piano, Violin, Viola, Cello (1987) repeats and varies a s...
Author
Jason Charney
Since their formation in 2010, Quince Contemporary Vocal Ensemble has dedicated itself to commission...
Author
Jason Charney
At Roulette, on Sunday, October 26, the Paul Dresher Double Duo will perform Double Ikat Part 2, Dre...
Author
Jason Charney
Scott Worthington is a busy and visible figure in LA's tight new music scene, both as a composer and...
Author
Jason Charney
Luigi Rossolo’s 1913 manifesto, “The Art of Noises,” advocated for the inclusion of a wide variety o...
Author
Jason Charney
