Percussionist Dániel Matei is sitting at a table, looking like a spelunker traversing a cave. His headlight illuminates pieces of..
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Whether highlighting his love of contrapuntal textures, his use of melodies and chords that magnify an instrument’s natural resonance, or..
The music of Daniel Temkin is a reminder that aural and visual expressivity are a powerful combination. This is clear..
“Opening (like you’re high on opium)” begins with washes of gently pulsating chords that reverberate as they descend and dovetail,..
Radical joy is often found at the heart of Lainie Fefferman’s practice, and her latest project with Shepherdess (vocalist Kayleigh..
