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Kirk Pearson is a Thomas J. Watson Fellow traveling the world on an odyssey of invention, in search of the..
On a chilly Friday in early December about fifty second-graders arrived on buses from Title 1 public schools–some of the..
New York String Orchestra Pianist Richard Goode is featured in Mozart’s Piano Concerto No. 20 in D Minor, K. 466...
On Saturday, December 9, 2017, New York City’s tastiest contemporary music series, Kettle Corn New Music, kicked off its sixth..
Back in April, we premiered the video for Pascal Le Boeuf’s Alkaline, which is now nominated for a Grammy for “Best..
StoneFest StoneFest will present and celebrate experimental, improvisatory, and avant-garde artists from across the stylistic spectrum. Continuing the great tradition..
On November 30, 2017, just a few days after the first anniversary of her death, Pauline Oliveros’ phantom opera The..
Luigi Russolo was that guy at the party. A painter by trade, Russolo made a second name for himself by..
“Opera can be a useful provocation for conversations about mental ‘otherness,'” said opera director Rosalind Parker in the pre-concert discussion...
Ann Millikan’s imaginative and moving Millikan Symphony is an elegy to her brother, Robert C. Millikan, who died in 2012...
“We Have Gone As Far As We Can Together” Combines Opera and Ritual for a Cathartic Experience
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Piano Spheres' “30 for 30” Project Honors the Magic of New Music and Sarah Gibson's Creative Spirit
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5 Questions to Titilayo Ayangade (cellist, photographer)
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One World Symphony's "Defiant:" An Orchestra Resists
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Out of Context #5: Appreciation vs. Appropriation of Cultural Musical Objects
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