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Arriving for an evening of “Video Operas” one could be forgiven for not being certain what to expect. Could they..
On the first day of the 2016 Ojai Music Festival, artistic director Peter Sellars hoped that the audience would respond..
On Friday, May 27, 2016, the DiMenna Center opened its doors to a moderate but dedicated crowd of supporters, who..
The third “station” of Kaija Saariaho‘s La Passion de Simone begins with two tumults of sound separated by pronounced silence, ushering in..
Over the span of 5 days, the American Music Festival will present more than 35 new and recent works by 33..
Monthly Music Hackathon is back with their annual New Music Instruments Hackathon. On June 11, at Spotify’s NYC offices, the event will..
Caroline Shaw has made a noticeable and meaningful impact on Vancouver’s artistic scene ever since becoming Music on Main‘s Composer in Residence..
John and Jaqueline Kennedy are iconic popular figures in American history–not only did they represent a renewed hope in a..
For those who fear an impending “rise of the machines,” REACT (Ravello Records) offers some reassurance that freethinking automatons won’t be..
Today we’re premiering a new video: miracle ear, by David Lang. The piece is performed by Matt Evans (TIGUE and more) and shot/edited..
Considering the Context of Our Artmaking When Composing Response Pieces
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Promoting Digital Content with Integrity, Intentionality, and Flexibility
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Alarm Will Sound Hits the Road with "Sun Dogs" Films-in-Concert
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5 Questions to Jennifer Koh and Weston Sprott (Sounds of US Festival)
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One World Symphony's "Defiant:" An Orchestra Resists
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