I CARE IF YOU LISTEN | Our latest posts
More posts
Since Sō Percussion first came across my radar, it’s been abundantly clear that the quartet is all about collaboration, having..
Conductor Kristjan Järvi has achieved acclaim for his innovative programming, thinking outside the boundaries of “contemporary classical music” both in..
The sounds and stories of Stacy Garrop’s Mythology Symphony (2007-2013), recently recorded and released by Cedille Records, are familiar yet..
Just as John Cage taught us important musical lessons about silence (in both his germinal book on the subject and..
On March 14, 2016, I was sitting in my studio listening to Peter Maxwell Davies’ 10th and final symphony when..
On Thursday, February 11, 2016 at the David H. Koch Theater, the New York City Ballet and its orchestra presented..
On February 12, 2016, preeminent contemporary music pioneers eighth blackbird donned their evening wear and trotted off to the 58th..
Wet Ink Trio blurred the lines between composition and performance and music and noise in a dynamic concert at Oberlin..
Brassy, brazen, unexpected: for experimental-minded people, this is how new music should be. The quartet loadbang certainly fits that bill...
The third and final day of concerts at Dark Music Days began with Guðný Einarsdóttir presenting a survey of composer..
Considering the Context of Our Artmaking When Composing Response Pieces
1
Promoting Digital Content with Integrity, Intentionality, and Flexibility
2
Alarm Will Sound Hits the Road with "Sun Dogs" Films-in-Concert
3
5 Questions to Jennifer Koh and Weston Sprott (Sounds of US Festival)
4
One World Symphony's "Defiant:" An Orchestra Resists
5
