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On February 12, 2016, preeminent contemporary music pioneers eighth blackbird donned their evening wear and trotted off to the 58th..
Wet Ink Trio blurred the lines between composition and performance and music and noise in a dynamic concert at Oberlin..
Brassy, brazen, unexpected: for experimental-minded people, this is how new music should be. The quartet loadbang certainly fits that bill...
The third and final day of concerts at Dark Music Days began with Guðný Einarsdóttir presenting a survey of composer..
In the Grand Lobby of Benaroya Hall on February 5, 2016 at 10:00pm, the Seattle Symphony Orchestra’s [untitled] 2 concert..
Lois V Vierk’s (b.1951) latest release on New World Records, Words Fail Me, encapsulates a musical language informed by a journey from the..
Either/Or: Precursors and Parallels | Pop-Up Concerts This Pop-Up celebrates a number of groundbreaking composers whose work weaves together the..
Ever since Beethoven added a chorus to his Ninth Symphony in 1824, the symphony as a musical form has been..
The wind screams and howls in Reykjavík. It is strong enough to disturb your gait and to push you around..
Adrian Knight: Obsessions is pianist R. Andrew Lee’s tenth album and we’re honored to offer its first listen here. Lee,..
5 Questions to Titilayo Ayangade (cellist, photographer)
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The Contemporary Classical Composer's Bullshit Generator
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ganavya Explores Subtle Truths and Communal Expression at National Sawdust
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Out of Context #6: The Whitewashing of Prince
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"Polyglot" Recontextualizes and De-Centers the Canon through an Exploration of Musical Pluralism
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