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Brassy, brazen, unexpected: for experimental-minded people, this is how new music should be. The quartet loadbang certainly fits that bill...
The third and final day of concerts at Dark Music Days began with Guðný Einarsdóttir presenting a survey of composer..
In the Grand Lobby of Benaroya Hall on February 5, 2016 at 10:00pm, the Seattle Symphony Orchestra’s [untitled] 2 concert..
Lois V Vierk’s (b.1951) latest release on New World Records, Words Fail Me, encapsulates a musical language informed by a journey from the..
Either/Or: Precursors and Parallels | Pop-Up Concerts This Pop-Up celebrates a number of groundbreaking composers whose work weaves together the..
Ever since Beethoven added a chorus to his Ninth Symphony in 1824, the symphony as a musical form has been..
The wind screams and howls in Reykjavík. It is strong enough to disturb your gait and to push you around..
Adrian Knight: Obsessions is pianist R. Andrew Lee’s tenth album and we’re honored to offer its first listen here. Lee,..
Qasim Naqvi is probably best known as the drummer for Dawn of Midi, a group that, alongside The Necks, has..
The Dark Music Days Festival takes place within Harpa, a 21st century space of giant proportions; a massive, glistening structure..
Video Premiere: Exceptet Performs "Mouth Full of Ears" by Sarah Goldfeather
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Roberta Michel's "Hush" Takes Listeners through Profound and Meditative Soundworlds
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Where Do We Find Resilience? The Practice of Persevering
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One World Symphony's "Defiant:" An Orchestra Resists
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5 Questions to Brian Harnetty (sound artist)
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