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The Toronto New Music Alliance just launched a new initiative: a New Music Passport. For $35 (plus a small service..
Despite this concert having been anticipated in The Wall Street Journal and The Jewish Week (as well as in these..
Conductor and educator Tim Weiss is at the epicenter of a contemporary music hurricane at Oberlin Conservatory. As director of..
The Washington Soloists Chamber Orchestra perform Beethoven and Hickey Tonight’s program includes Sean Hickey‘s Concerto for Clarinet and String Orchestra..
On Saturday, October 12, 2013, Polish film composer Zbigniew Preisner conducted the Britten Sinfonia Strings and Crouch End Festival Chorus..
Esprit Orchestra’s opening concert on Thursday, October 24, 2013, in Koerner Hall at Royal Conservatory Toronto was nothing short of..
Rob Wendt asked 5 questions to David Shifrin (clarinetist, artistic director) about the legacy of Paul Hindemith—a member of the..
Luigi Rossolo’s 1913 manifesto, “The Art of Noises,” advocated for the inclusion of a wide variety of sounds in music,..
This post is part of our ongoing series of app reviews for mobile devices. In September, Thomas posted our first..
Focusing on the subtle, quiet textures of a small chamber ensemble in a still room can be a meditative experience,..
Piano Spheres' “30 for 30” Project Honors the Magic of New Music and Sarah Gibson's Creative Spirit
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The Inaugural Talk Low Festival Features Exciting Roster of Experimental Artists
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"Polyglot" Recontextualizes and De-Centers the Canon through an Exploration of Musical Pluralism
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5 Questions to Žibuoklė Martinaitytė (composer)
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Out of Context #5: Appreciation vs. Appropriation of Cultural Musical Objects
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