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For Anssi Karttunen’s 50th birthday in 2010, his wife, Muriel von Braun, and his dear friend, acclaimed composer Kaija Saariaho,..
Composers from Schubert to Verdi to Rautavaara have set the Bard, but few composers can claim such a singularly academic..
After months of hard work with TypeEngine, a Seattle-based startup that chose us as a launch partner, we are shamelessly proud..
Ordinary Objects, Extraordinary Music | Music With A View Will be moderated by Robert Schwimmer and features music by Joshua Fried/Hans Tammen..
Carlos Chávez (1899-1978) has been called the dean of Mexican classical music, important not just for his compositions but also..
The London Sinfonietta gave an exceptional – though unfortunately rather lightly attended – performance of Mauricio Kagel‘s The Pieces of the..
On June 13-15, 2013, Rebecca Lazier and her performers will team up with Newspeak to present the NY premiere of Coming Together/Attica,..
The London Sinfonietta continue to experiment with different approaches in their presentation of contemporary music, and they struck a winner..
ePhemera | Unplay Festival ePhemera is devoted to electroacoustic music that not only exists within the present but actively operates..
Dan Trueman‘s neither Anvil nor Pulley (“nAnP”) opens with the old-fashioned crackle of a vinyl record. The LP’s steady spin..
Piano Spheres' “30 for 30” Project Honors the Magic of New Music and Sarah Gibson's Creative Spirit
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The Inaugural Talk Low Festival Features Exciting Roster of Experimental Artists
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"Polyglot" Recontextualizes and De-Centers the Canon through an Exploration of Musical Pluralism
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Nathalie Joachim’s Cello Concerto Premiere Reminds That Programming Black Artists Should Be Year Long
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Out of Context #5: Appreciation vs. Appropriation of Cultural Musical Objects
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