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Carlos Chávez (1899-1978) has been called the dean of Mexican classical music, important not just for his compositions but also..
The London Sinfonietta gave an exceptional – though unfortunately rather lightly attended – performance of Mauricio Kagel‘s The Pieces of the..
On June 13-15, 2013, Rebecca Lazier and her performers will team up with Newspeak to present the NY premiere of Coming Together/Attica,..
The London Sinfonietta continue to experiment with different approaches in their presentation of contemporary music, and they struck a winner..
ePhemera | Unplay Festival ePhemera is devoted to electroacoustic music that not only exists within the present but actively operates..
Dan Trueman‘s neither Anvil nor Pulley (“nAnP”) opens with the old-fashioned crackle of a vinyl record. The LP’s steady spin..
There couldn’t be a more appropriate time for American pianist Jonathan Biss to bring the “deeply personal and achingly vulnerable”..
Though I was certainly not outraged, I was yet somewhat disappointed of missing the other performances from this festival in..
On May 28, 2013, Delos released Sean Hickey’s first album on the “Great American Label,” Concertos, featuring conductor Vladimir Lande, cellist..
The temptation to over-intellectualize Big Farm’s self-titled debut is hard to resist.—which isn’t to say that it’s not an intellectual..
On "Water Music" from Paul Pinto, The Recording Studio is An Essential Instrument
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Anatomy of a Commission: A Modest Proposal from the Commissioner’s Perspective
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Lakota Ontologies, AI, and Graphic Scores Find a Symbiotic Home in the Waking Dreams of Kite
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Are Music Videos Worth the Time and Money Investment for Artists?
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Out of Context #4: The Muddy Ownership of Dreadlocks
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