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Music is often colorfully compared to alchemy. Both arts involve the careful meeting of scientific logic and emotive, mystical chaos...
Leah Kardos was in town this week and I am so happy I got to hang out with her (and..
The length of an usual article on this blog would probably not be enough to merely list the different instruments crowded..
Your third solo show, “Twenty-first Century Freemasonry”, opened on January 21 at The Proposition. What is the idea behind the..
On January 26, I spent the evening at Le Poisson Rouge for a show called Indie-Classical Guitars: Music for 1,2,3..
This year’s edition of Ecstatic Music Festival just started and even if it won’t feature Judd Greenstein’s—it’s curator—dream lineup, it’s..
The Kronos Quartet completed their week-long residence with the Barbican Centre in London with a typically audacious and varied programme..
James Noyes’ music is a joyful balance of tradition and progress. I attended his recital at Our Saviour’s Atonement, a..
As the 2012 edition of the Ecstatic Music Festival is about to start, we asked 5 questions to Judd Greenstein,..
“Who’s ever been to a harp recital?” A couple of hands were shyly raised. “And who’s ever been to a..
Piano Spheres' “30 for 30” Project Honors the Magic of New Music and Sarah Gibson's Creative Spirit
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"Polyglot" Recontextualizes and De-Centers the Canon through an Exploration of Musical Pluralism
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Nathalie Joachim’s Cello Concerto Premiere Reminds That Programming Black Artists Should Be Year Long
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Out of Context #5: Appreciation vs. Appropriation of Cultural Musical Objects
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5 videos of goats screaming classical music (it's Friday)
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