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Leah Asher’s new album Retreat Into Afters (Scripts Records) was created at the end of a three-year stay in northern Norway and..
Turning Up the Volume is a collection of interviews that focuses on the individual stories of up and coming musicians..
Invariably as I travel around the country for different festivals and series, I hear fellow practitioners say to each other,..
New York City Electroacoustic Music Festival 2018 The New York City Electroacoustic Music Festival (NYCEMF) 2018 will take place July..
Recipient of the 2018 Guggenheim Fellowship, Yoshiaki Onishi is a Japanese-American composer and conductor, who will be a postdoctoral fellow..
Norwegian composer Danielle Dahl’s first solo album, Loosening Orion’s Belt, was released by abstract tits, Dahl’s own label, on April..
Susanna Mälkki is a Finnish conductor at the forefront of the international symphonic world, who is much in demand in..
The Sonic Great Wall | The Dream Unfinished Huang Ruo’s The Sonic Great Wall is a musical interpretation of the..
Meerenai Shim takes on many roles in new music. As a flutist, she has release three solo albums: Sometimes the City..
Miolina’s self-titled debut album, released on Composers Concordance Records in February 2018, is a refreshing patchwork of memory, with each..
Artists Need Better Funding and Support Networks to be the Catalysts for Hope We Need in 2025 and Beyond
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ListN Up Playlist: IOSIS (Alex Bissen) (January 9, 2025)
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The Myth of the Composer-Genius
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We Need to Talk About Money: Musicians Without Financial Privilege are Being Pushed Out
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Handwritten vs. digitally engraved scores, an opinion post by R. Andrew Lee
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