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Lincoln Center’s “Reich/Reverberations” festival proved Steve Reich’s musical effect can withstand poor acoustics. The July 19, 2016 concert displayed an..
We’ve already talked about Florent Ghys and his music on I CARE IF YOU LISTEN. The French-born composer and double bass wizard is about..
The SPLICE Institute finished its second year as a unique festival and training ground for musicians interested in combining technology..
Monthly Music Hackathon rides again on August 5 and 6. The theme this month is Science of Music. The event takes..
If you’re a newsletter subscriber, you’ve already received your early access link to the Summer 2016 Mixtape. If you’re not..
Someone has probably coined a term for the style of music showcased on the London Symphony Orchestra’s new recording The..
The idea and place called home, in all its comforts and dangers, is the theme skulking about in Hannah Lash’s..
Composer Daniel Felsenfeld doesn’t do much on a small scale. Formerly an MTV devotee and piano-bar prodigy, Felsenfeld’s projects include..
A heavy sky hung over Libbey Bowl on the final afternoon of the 2016 Ojai Music Festival, as performers all..
José Luis de Vicente describes his work as intersecting a fluid space between design, technology and art – with a..
5 Questions to Titilayo Ayangade (cellist, photographer)
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The Contemporary Classical Composer's Bullshit Generator
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ganavya Explores Subtle Truths and Communal Expression at National Sawdust
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"I Didn't Notice My Hands Were Shaking:" Making Essential Music with Essential Tremor
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Out of Context #4: The Muddy Ownership of Dreadlocks
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