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New Oratorio by Tracy K. Smith and Aaron Siegel Gives Voice to Civil War-Era African American Troops
Merkin Hall is a beautiful venue, warm in both temperature and acoustics. On Nov. 2, Tracy K. Smith, the former..
In the Metropolitan Opera’s new production of X: The Life and Times of Malcolm X, there are plenty of moments..
Linda Catlin Smith Revels in Introverted Confidence with Sensuous, Idiosyncratic Album ‘Dark Flower’
One of my favorite aspects of autumn is the sensation of being wrapped in a warm jacket or bundled under..
ListN Up is a series of artist-curated playlists that offer an intimate sonic portrait of contemporary artists by showcasing the diverse..
Kaufman Music Center inaugurated its new “Artist as Curator” series on Thursday, Oct. 26 with Quince Ensemble. Advertised as “thrilling..
Ellen Fullman’s Long String Instrument was almost invisible on stage at the Experimental Media and Performing Arts Center (EMPAC) the..
This article was commissioned by American Composers Forum. Leilehua Lanzilotti often references visual artworks in her compositions, but it’s more..
One of the worst break-ups I ever endured came from a four-year relationship that I invested all of my time..
Briana Hunter‘s career in opera has been nothing short of a meteoric rise. The dedication to her craft is ever-present..
“Hearing sounds of creatures I don’t recognize makes my imagination run wild,” writes pianist and composer Angelica Sanchez about her..
Promoting Digital Content with Integrity, Intentionality, and Flexibility
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5 Questions to Jennifer Koh and Weston Sprott (Sounds of US Festival)
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One World Symphony's "Defiant:" An Orchestra Resists
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The End of Finale: Reflections and Advice for Composing in a New Era
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Out of Context #5: Appreciation vs. Appropriation of Cultural Musical Objects
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