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Released July 28 on Deutsche Grammophon, the Sphinx Virtuosi’s Songs for Our Times is sprawling, contradictory, and wonderful. Filled with..
Designed for both music creators and their collaborators, “Anatomy of a Commission” is a digital resource that aims to increase..
This article was commissioned by American Composers Forum. For Oswald Huỳnh, composing for orchestra is like being “a kid in..
ListN Up is a series of artist-curated playlists that offer an intimate sonic portrait of contemporary artists by showcasing the diverse..
American Composers Forum (ACF) is pleased to announce the recipients of this year’s ACF | create award, made possible with..
I’m in the center of a dome. Fragmented vocalizations pop from somewhere in the space — it’s hard to pinpoint..
In 1945, a letter from Zora Neale Hurston to W.E.B. DuBois called for a new cemetery for notable Black artists..
It wasn’t until I’d taken the gondola down from Eagle’s Nest, perched 10,350 feet up on Vail Mountain, that I..
Classical music has given me a lot: I’ve found an important and sacred part of my identity in being a..
The strumming acoustic guitar and swelling strings that open “Shiny Objects” establish a clear sonic mood that is instantly subverted..
Out of Context #4: The Muddy Ownership of Dreadlocks
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One World Symphony's "Defiant:" An Orchestra Resists
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For Teddy Abrams, Leading an Orchestra is a Musical and a Civic Responsibility
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With Her Syncretic Music, Reena Esmail Invites Listeners to Engage Through Their Own Cultural Lens
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Are Music Videos Worth the Time and Money Investment for Artists?
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