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Her name might ring a bell since Steven Berryman reviewed her first CD last year for I Care if You..
More than anything else, words like natural and effortless come to mind when listening to Chris Thile’s music. Not that..
It is not everyday that an American icon turns 75. Of course, Elliott Carter turned 103 last December and that’s..
The Norman S. Benzaquen Hall at the DiMenna Center for Classical Music has the appearance of a spruced up practice..
Jean-Guihen Queyras and Ensemble Resonanz lit up the Ij Haven last night in Amsterdam’s Muzikgebouw aan’t Ij. There was a..
I always find it interesting to read discussions on the validity of extended techniques and less conventional methods of sound..
Twitter has surprised me. I initially was one of the skeptics, assuming that the 140 character limit would lead to..
The final concert of the San Francisco Symphony’s Mavericks festival began with Steve Reich’s Music for Pieces of Wood, a..
Placing the pianist Brad Mehldau into a particular genre or category seems tricky; being defined as a jazz pianist seems..
In keeping with the idea of the Mavericks Festival presenting “new classics,” the entire first half of the program for..
Considering the Context of Our Artmaking When Composing Response Pieces
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Promoting Digital Content with Integrity, Intentionality, and Flexibility
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Alarm Will Sound Hits the Road with "Sun Dogs" Films-in-Concert
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5 Questions to Jennifer Koh and Weston Sprott (Sounds of US Festival)
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One World Symphony's "Defiant:" An Orchestra Resists
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