For Oswald Huỳnh, composing for orchestra is like being “a kid in a big toybox.” He remembers watching Fantasia 2000..
Tag Archives: Copland House
With "Skylighght," Gelsey Bell and Erin Rogers Embody the Joy of Experimental Research
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Out of Context #4: The Muddy Ownership of Dreadlocks
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5 Questions to Vanessa Reed (President and CEO, New Music USA)
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It’s Not Just an Access Problem – Orchestras Aren’t Creating Safe Environments for Black Musicians
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5 Questions to Apply Triangle
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