Despite this concert having been anticipated in The Wall Street Journal and The Jewish Week (as well...
Author
Rob Wendt
Rob Wendt asked 5 questions to David Shifrin (clarinetist, artistic director) about the legacy of Pa...
Author
Rob Wendt
Composer and alto saxophonist John Zorn, known to me mostly as the founder of East Village not-for-p...
Author
Rob Wendt
Until I heard Alarm Will Sound perform scenes from The Hunger, your work-in-progress about the Great...
Author
Rob Wendt
The Temple University Symphony Orchestra performed the New York premiere of Michael Daugherty’s Refl...
Author
Rob Wendt
This album is the creative fruit of a unique Bay Area collaboration between San Francisco Choral Art...
Author
Rob Wendt
John Adams conducted the Orchestra of The Juilliard School and the Royal Academy of Music in three w...
Author
Rob Wendt
Saturday night at St. Paul the Apostle on Manhattan’s west side, the Schola Cantorum on Hudson (SCH)...
Author
Rob Wendt
Bassoon, trombone, tuba, double bass, cello – in many musical textures, low voices are employed as a...
Author
Rob Wendt
Jean-Guihen Queyras and Ensemble Resonanz lit up the Ij Haven last night in Amsterdam's Muzikgebouw...
Author
Rob Wendt
Three composers – each aiming to create modern music in which form has been replaced by “structures”...
Author
Rob Wendt
Pärt Piano Music by Naxos features pianist Ralph van Raat interpreting the Estonian composer’s music...
Author
Rob Wendt
On his new album from Cantaloupe Music, this was written by hand, David Lang treats the piano altern...
Author
Rob Wendt
Like many readers of this blog, I am on the mailing list for Bang on a Can. A recent email described...
Author
Rob Wendt
I finally made it to Le Poisson Rouge, which I have heard so much about, to hear this tribute concer...
Author
Rob Wendt
Camerata Aberta boasts some of São Paulo’s most dedicated musicians. Seven of the group’s sixteen me...
Author
Rob Wendt