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Of Beasts and Brutes Of Beasts and Brutes playfully and seriously shines light on the human and animal traits that..
“To D. Scarlatti (1685–1757) with apologies”—so composer Erik Lotichius (1929–2015) dedicated his Anaitalrax: Twenty-five virtuoso piano studies. Yes, the work’s..
Today’s video premiere from Four/Ten Media and New Morse Code (Hannah Collins, cello; Michael Compitello, percussion) comes on the heels of their..
Music should be so transparent that one can see the bottom and that poetry shimmers through this transparency. (Valentin Silvestrov) Seldom..
Daniel Thomas Davis’ new chamber opera, Six.Twenty.Outrageous: Three Gertrude Stein Plays in the Shape of an Opera, is a work of extraordinary..
CompCord Big Band CompCord Big Band returns to The Cutting Room to premiere ten brand new compositions by Aaron Alter,..
“All human beings are born free and equal in dignity and rights.” -Universal Declaration of Human Rights Inscribed on the..
Merkin Hall was completely packed on Thursday, February 15, 2018 for the Bang on a Can All-Stars 2018 People’s Commissioning Fund..
To paraphrase Stravinsky, great composers don’t borrow, they steal. “Morphs and Magpies” was the theme of the Ligeti Quartet’s concert..
Layale Chaker has appeared as a soloist, performer, improviser and composer in Europe, the Middle East, Asia, and North and South America,..
“We Have Gone As Far As We Can Together” Combines Opera and Ritual for a Cathartic Experience
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Piano Spheres' “30 for 30” Project Honors the Magic of New Music and Sarah Gibson's Creative Spirit
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One World Symphony's "Defiant:" An Orchestra Resists
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5 Questions to Titilayo Ayangade (cellist, photographer)
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Resistance Music is the Evidence of Things Unseen
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