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What must it be like when Jeffery Kyle Hutchins (saxophone) and Ted Moore (laptop) invite you to join them in..
Schubertiade Remix | Mostly Mozart Festival In the spirit of Schubert’s famous musical soirées, artists from New York’s eclectic music..
Alexander Calder’s first use of sound in sculpture was accidental. “You have weight, form, size, colour, motion and then you..
“Thanks for this royal gift,” writes György Kurtág (b. 1926) in the album on which Reinbert de Leeuw conducts all..
INTERSECT: Featuring the Music of Billy Childs The two-day music festival is a rare opportunity to experience some of the..
On June 2, 2017, Brooklyn’s contemporary music sanctuary National Sawdust cleared away the chairs and set the stage for an..
Within the last two years, MATA’s call for scores received a sudden influx of Iranian pieces. Submissions from this area..
The Idea of Red and Grey and Yellow | Okkyung Lee John Zorn’s Stone Commissioning Series premieres a new work..
The new album Bells for the South Side, released by ECM Records on June 16, 2017, features multi-instrumentalist, composer, and..
The Mizzou International Composers Festival (MICF), lead by artistic director Stefan Freund (Alarm Will Sound co-founder and cellist), is a..
“We Have Gone As Far As We Can Together” Combines Opera and Ritual for a Cathartic Experience
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Piano Spheres' “30 for 30” Project Honors the Magic of New Music and Sarah Gibson's Creative Spirit
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5 Questions to Titilayo Ayangade (cellist, photographer)
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One World Symphony's "Defiant:" An Orchestra Resists
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"Polyglot" Recontextualizes and De-Centers the Canon through an Exploration of Musical Pluralism
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