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coLABoratory: Playing It UNsafe (Workshop I) | American Composers Orchestra This season, coLABoratory will include a unique incubation process of..
With the plethora of new music ensembles out there and the various instrumentations they employ, it’s nice to stumble upon..
The Talea Ensemble brought precision and warmth to an evening of chamber works by the Austrian composer Olga Neuwirth on..
Chamber music is hard. It’s hard to play and even harder to write. Both composer and performer are extremely exposed..
Something quite remarkable is happening in Chicago. Equal parts drama, music, history, and social activism, it’s The March: A Civil..
On October 18, 2012 I stumbled upon City of London Sinfonia’s performance of works by two of the most influential..
Major Orchestral Works | Morton Feldman The 100-piece Janáček Philharmonic Ostrava (JPO) (Czech Republic) comes to New York to perform..
On Friday, October 26, the Berlin Philharmonic took to the stage to perform works by Benjamin Britten, Claude Debussy, Maurice..
I have sometimes found performances and recordings of Elliot Carter’s music to be physically trying, requiring me to gird myself..
The Scottish-Italian violinist Nicola Benedetti has an unorthodox choice of repertoire. She was elected BBC Young Musician of the Year..
Promoting Digital Content with Integrity, Intentionality, and Flexibility
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5 Questions to Jennifer Koh and Weston Sprott (Sounds of US Festival)
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One World Symphony's "Defiant:" An Orchestra Resists
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The End of Finale: Reflections and Advice for Composing in a New Era
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Out of Context #5: Appreciation vs. Appropriation of Cultural Musical Objects
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